Author Archives: Tony Taylor

Today is flying by…

Fethiye woodland 10" x 8", Acrylic on card

Fethiye woodland
10″ x 8″, Acrylic on card

It’s been one of those glorious winter days here, just perfect and, unlike those childhood days that seemed to last forever, this one is flying by.  Ziggy, our 6 month Vizla ate the fairy lights that Gina hung in the potted trees flanking the porch. I managed to recover and rewire what was left. I repotted a couple of pot-bound plants on the terrace.  Early ants have been repelled from colonising the garden wall lights with a combination of ant powder and sealant. I watched my bids fail to win some boat electronics on eBay. This turned out to be a lucky thing as I discovered Paypal were not going to let me access my UK account from here. I read the Sunday papers and replied to the mail and I went into the woods to collect some kindling.  Then I painted this.

In 25 minute our neighbours Bob and Pauline  are arriving for a steak and kidney pie  and I’m cooking the starter. As I said, today is flying by…..

Vorticism

Fethiye, the ancient city of Telmessos suffers an unfortunate lack of old buildings as the town was struck by devastating earthquake in 1857 and then again in April 1957 when 3200 buildings were damaged.

Fethiye Vortex, Watercolour, 16" x 10"

Fethiye Vortex, Watercolour, 16″ x 10″

The art movement of Vorticism, founded by abstract artist Percy Wyndham Lewis was a mixture of Futurism and Cubism and lasted from 1912-1915. It was the first English art movement dedicated to abstraction and ultimately it too was destroyed by a tremendous earthquake, better known as The First World War.  Vorticists recognized the power of technology, particularly the machine and anticipated that it would result in a bleak,purposeless life for humankind. They must have been thinking of the mobile phone……

Then the earthquake here in June 2012 provided the final inspiration for this watercolour.

Not in Surbiton

The fields around Fethiye are all zoned and numbered as part of the City Plan. In it are drawn the roads and parks and schools alongside the residential plots.  In other words the whole area could be described as one large building plot and buildings spring up apparently at random, dotted around the unseen grid but actually located with all the precision that GPS can provide. These fields are, in most cases, still being farmed as smallholdings or greenhouses.  Many are sold and await the bulldozer, some are entangled by Turkish inheritance law and many may never be sold, despite their astronomical and ever increasing prices, because the owners are happy doing what they have always done.  Consequently, while living in a modern villa or apartment in a Turkish town, unlike in Surbiton, it’s not at all unusual to have neighbours keepng sheep, goats, chickens and the occasional cow;  growing a crop of cauliflowers or cabbages; tending greenhouses full of tomatoes and peppers and working a donkey or two.

Shearing time in Fethiye10" x 8", Acrylic on card

Shearing time in Fethiye SOLD
10″ x 8″, Acrylic on card

Last summer, I watched my neighbour hand shearing her flock of goats and sheep.  These animals are  moved to various bits of land around the neighbourhood in a complex grazing pattern that seamlessly interleaves with her neighbours. Sometimes you see them tied along a busy roadside verge, another time in a field, later fed on cuttings and scraps outside her house. If you can’t see them, you can probably smell them!  She worked long and hard that day in the heat of summer and I’m sure her flock appreciated the effort.

.

The Dreaded Lurgi

So many of our friends, family and the expat population here have fallen foul of the latest flu virus.  It’s even nastier than usual and probably arrived onboard the Xmas flights from the UK.  My contribution to making victims and their carers feel a little better is to point them to this article by Michael Quinion.  The Dreaded Lurgi

Kayakoy Cottage8" x 6", Acrylic on card

Kayakoy Cottage
8″ x 6″, Acrylic on card

The cottage in today’s painting can be found just behind the Sarnic restaurant. I have no idea who owns the building but In my opinion, the simple, sympathetic restoration makes me happy and shows what might be achieved in Kayakoy.

Chasing the ghosts of a forgotten war

I’d like to quote from Frank Kane writing in the Observer in January 2005. In it he shares some of the emotions I feel up there, especially on an autumn evening.

Kayakoy autumn,13" x 9.5",  Acrylic on card

Kayakoy autumn,
13″ x 9.5″, Acrylic on card

“The atmosphere is sad, eerie and strangely beautiful, especially in the early evening when the long shadows creep across the road ways. Broken down buildings have the ever present olive trees growing in among their decaying rooms, and it all looks oddly ancient with its discolored buildings and polished stone surfaces. The weather is harsh and extreme up here and alternate frost and searing sun have given the ruins that golden look that many antiquities have taken thousands of years to acquire.”

His article can be read in full at www.guardian.co.uk/travel/2005/jan/30/turkey.observerescapesection.

Some thoughts on Tulips and Poppies

 

Red Tulips in a glass, Watercolour, 10"x 8"

Red Tulips in a glass,
Watercolour, 10″x 8″

TULIPS

In Turkish history, the period between 1718-1730, a time of peace and prosperity during the reign of Ahmed III, is called the “Tulip Era” and Tulips or Lale in Turkish, became an important symbol in Turkish life thereafter. Many embroidered and handmade textiles, ceramics and artwork featured tulip designs and shapes and Tulip gardens were popular around the Golden Horn. In fact many cultivated varieties were widely grown here long before they were introduced to European gardens. This Era ended with the Patrona Halil revolt in 1730 when the Sultan was dethroned. As I painted this, thousands of tulips were being hand planted by large crews of village workers in the parks and gardens, along the promenade and in central reservations and traffic islands right across  Fethiye.

 

Poppy,  Watercolour,10" x 8"

Poppy, Watercolour,
10″ x 8″

POPPIES

In 3,400 B.C. when the opium poppy was cultivated in lower Mesopotamia it was known as Hul Gil, the “joy plant.”  And what a lot of joy we manage to get from this flower!   Painkillers like morphine and codeine,  ornamental flowers for the garden and food like bagels for example, it’s even planted for soil erosion control,. Sadly, in it’s more dangerous guise as Heroin, it’s responsible for many wars and atrocities, most famously in the Opium wars of the mid 1800’s and today in Afghanistan and the Far East. Round here though, the sight of meadows full of pink poppies is one of the true joys of summer.

 

 

Turkish Wild Flowers

We are blessed here with wild flowers and around now they begin to spring up in the fields, on the hills and especially on verges and similar bits of unused land. It’s not unusual to see a dozen new varieties if you walk for an hour, many of which you didn’t notice the previous week.

Blue Iris, watercolour, 10" x 8"

Blue Iris, watercolour, 10″ x 8″

I am trying out a new pallette of Daniel Smith watercolours that I bought over from the UK, quite daring for me as I was far from mastering the previous selection!  There are only six, basically a warm and a cool primary, no secondaries or earth colours and this is one of several flower studies I have managed to complete this week.

I’ll post more tomorrow….

Vines and Triangles

Acrylic on card, 8"x 5"

Acrylic on card, 8″x 5″

There is so much stuff out there on design and composition that it makes my head spin, especially in any discussion of form. However, I’ve been reading about a simple enough concept and that is the importance of repeating shapes across an image. In today’s painting I have deliberately incorporated some triangles into an otherwise fairly standard observation of a vineyard.  I think it works well.  Such simple concepts can really help too when you’re stuck for a idea. Draw a shape, repeat it a few times and, like a Rorschach test, a subject may spring to mind.

 

Daily Painting or A Painting a Day?

Poppyfield. Acrylic on card, 8"x5"

Poppyfield. Acrylic on card, 8″x5″

“How we spend our days is, of course, how we spend our lives.” – Annie Dillard

Almost everything I need to say about the discipline of A Painting a Day is expressed here On Painting: apaintingaday. by Duane Keiser who is credited with inventing the whole concept in 2004. Nowadays, there is even an ebay guide to collecting these small artworks. While I am very attracted to it for the reasons described by Duane, I also want to be free to create work over longer or even shorter periods, not just one day, for example the series I am making on Kayakoy. My Daily Paintings will be here but I will post others too.

I’d also like to thank Duane Keiser for introducing me to Annie Dillard.

 

 

Kayaköy, a new beginning?

Acrylic on Card, 12"x8"

Acrylic on Card, 12″x8″

There has been news of change to come in Kayakoy and lets face it, It’s about time. I think we are past the “why?” stage. If nothing is done this beautiful, haunting place will eventually tumble down, worn away by the weather and the footsteps of a million tourists.  The big questions are what should be done, closely followed by how, who by and when?  Meanwhile, I’ll keep painting it.